Seamlessly fits into your workflow. No changes needed.
AI Jewelry Retouching Workflow
Control The Processing
No Prompts & Complex Settings
Batch Upload
.PSD Output With Layers
Upscaling Integrated
Select the photos to retouch and smart OIS.GOLD algorithms will deliver the right results.
Low resolution photos are upscaled if needed at the retouch stage. No extra steps.
Separate uploaded files into groups and retouch group by group if needed.
Upload any number of photos form one to thousands.
You receive full resolution .PDS file with layers and the original file as a separate layer.
Retouching time is significantly reduced. For simple pieces it's reduced to 100%.
Time Reduced By Up To 100%
Why OIS.GOLD For Jewelry Retouching
OIS.GOLD
Jewelry textures and mesh are fully preserved. Surfaces are smoothed without losing shape or detail. Design proportions stay intact and prongs keep their original form.
Hello world!
OIS.GOLD
Dirt and damage are removed with precision. Stones are cleaned, sharpened, and clearly outlined. Small engravings stay crisp and visible. Metal reflections look balanced and true to life.
Achieving this level of speed and consistency typically requires a large team of experienced retouchers and their availability. For a single person or small team, it is nearly impossible, manual editing would take days with inevitable variations and delays. OIS.GOLD processed the entire batch with no human retouching at all. Every image met the final quality standard and was ready to publish straight out of the AI.
Goal: Process and publish 100 jewelry photos in under 6 hours.
OIS.GOLD User Reviews
Michel
Jewelry Brand NDA
OIS GOLD cut our retouching time by about 70%, so we now prioritize lighting and nailing the shot. Catalogs go live the next day instead of a week later, clients are happier, and photographers stay focused on creative work instead of tedious cleanup.
Anna Y.
Jewelry Photographer
At first I was skeptical, since every “AI retouching” platform I tried before made a mess of product textures. OIS.GOLD actually surprised me - it keeps metal and gemstones clean, sharp, and dimensional. You can tell it’s trained on real jewelry data, not some generic dataset. Turnaround is quick, and I barely need to touch anything afterward. The quality is consistent too, which is huge when you’re delivering hundreds of images a week. It’s not the cheapest per shot, but factoring in saved time and reduced revisions, it pays off big.
Paul S.
Jewelry Photographer
I’ve been shooting jewelry for over 25 years, and I’ve seen every retouching trend come and go. I used to spend hours cleaning up reflections, dust, and tiny flaws by hand. Now the AI does it in seconds, and the results look like a skilled retoucher spent hours on them. It keeps the shine and texture exactly as I shot it, without that fake AI gloss other tools create. Honestly, at 50, I’m just glad I don’t have to sit behind Photoshop all night anymore. This tool gave me my evenings back.
Michel
Jewelry Brand NDA
OIS GOLD cut our retouching time by about 70%, so we now prioritize lighting and nailing the shot. Catalogs go live the next day instead of a week later, clients are happier, and photographers stay focused on creative work instead of tedious cleanup.
Anna Y.
Jewelry Photographer
At first I was skeptical, since every “AI retouching” platform I tried before made a mess of product textures. OIS.GOLD actually surprised me - it keeps metal and gemstones clean, sharp, and dimensional. You can tell it’s trained on real jewelry data, not some generic dataset. Turnaround is quick, and I barely need to touch anything afterward. The quality is consistent too, which is huge when you’re delivering hundreds of images a week. It’s not the cheapest per shot, but factoring in saved time and reduced revisions, it pays off big.
Paul S.
Jewelry Photographer
I’ve been shooting jewelry for over 25 years, and I’ve seen every retouching trend come and go. I used to spend hours cleaning up reflections, dust, and tiny flaws by hand. Now the AI does it in seconds, and the results look like a skilled retoucher spent hours on them. It keeps the shine and texture exactly as I shot it, without that fake AI gloss other tools create. Honestly, at 50, I’m just glad I don’t have to sit behind Photoshop all night anymore. This tool gave me my evenings back.
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